There’s no other band like Angel Du$t. In fact, the singular group is almost defined by how far they stand apart from the pack. So if saying Angel Du$t aren’t like anyone else is a no-brainer, then what are they like? Are they cutting edge genre-destroyers or one of the last authentic guitar bands standing? Are they blunt force aggression incarnate or earnest experimentalists? Are they the hardcore version of an indie band or is it the other way around? You might ask around these kind of questions while taking in the totality of Angel Du$t’s decade-plus journey-but the band’s new album, COLD 2 THE TOUCH, suggests that maybe it’s not so complicated after all. Or as vocalist/mastermind Justice Tripp puts it: “Angel Du$t is rock & roll”.

COLD 2 THE TOUCH captures this simple fact better than ever before. the 26-minute blast of eclectic and hardhitting muic makes it clear Angel Du$t can’t be contained within the confines of narrow subgenres, and that a term as elemental as rock & roll might actually fit like a glove. This is the band’s most overtly ferocious album in sometime-a blender of hard riffs and big hooks that are matched by Tripp’s open-hearted existentialism.

A constellation of collaborators makes COLD 2 THE TOUCH a captivating listen that’s constantly surprising the listener: guitarist Jim Caroll makes his presence especially felt on “Zero”, a veritable Angel Du$t epic that clocks in at over three minutes of spiraling riffs and features vocals from Wes Eisold of American Nightmare and Cold Cave; “Downfall” has the growl of Restraining Order’s Patrick Cozens; “Man On Fire” taps UK punk legend Frank Carter; and ‘The Beat” includes guttural guest vitriol from Taylor Young of Twitching Tounges, Deadbody and more.